Iluminace 2/2014

CONTENTS
Articles
Petr Szczepanik: Industrial Authorship and Group Style in Czech Cinema of the 1950s and 1960s
Kateřina Svatoňová: Jaroslav Kučera’s Experimental Points of View. An Attempt at an Analysis of a Cinematographer’s Media Practice
Marika Kupková: Uncertain Dominance. The Position of Writers in Czech Cinema of the Second Half of the 1940s
Martin Mišúr: “Do Not Attempt to Investigate on Your Own!” The Threshold of Decision-Making Power and Supervision of Institutions in Red Scare Movies
Constantin Parvulescu – Ciprian Nițu: Challenging Communities of Values. The Peripheral Cosmopolitanism of Marian Crișan’s MORGEN
Horizon
Petr Mareš: Impure Art and Mind Games. Two Books on Alain Resnais (Sophie Rudolph, Die Filme von Alain Resnais. Reflexionen auf das Kino als unreine Kunst. / David Čeněk – Martin Kaňuch – Michal Michalovič /eds./, Alain Resnais. Kinematografia mozgu)
Martin Blažíček: Theory as Manifest (Martin Čihák, Ponorná řeka kinematografie)
Petr Bilík: Citizens. An Asymmetrical Portrait of the Film (Briana Čechová /ed./, Všichni dobří rodáci)
Alena Šlingerová: Unstable Images of a Post-War Countryside (Petr Slinták, Hana Rottová, Venkov v českém filmu 1945–1969
Martin Charvát: Archeology of Photography (Jaroslav Anděl, Myšlení o fotografii I: průvodce modernitou v antologii textů)
Lada Žabenská: The Distribution Project TIDE. Mere Experiment, No Cannibalism!
Ad fontes
Jeanne Pommeau: The Film Restoration of THE ARRIVAL FROM THE DARKNESS
Jaroslav Štuller: The Club of Film Referees and Publicists (1930–1933)
Project
Kateřina Krtilová – Kateřina Svatoňová: Czech-German “Medienwissenschaft”
Appendix
Recent Acquisitions of the NFA Library